I’m delighted to reveal a brand new music video! I’ve always been a huge fan of poet, author and all round smarty pants Michael Rosen, so I was delighted when he gave me permission to turn one of his brilliant poems into a song!

The poem is called Tiffy Taffy Toffee and is a wonderful bit of nonsense word play to get your tongue around. We had a lot of fun making the video and finding all sorts of strange things to appear behind me whilst I performed the song.

Don’t forget to subscribe to my YouTube channel if you enjoy it!

Songs Across The Pond

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I'm incredibly excited to finally announce a brand new musical collaboration with USA children's-artist Brady Rymer!

I've been a huge fan of Brady Rymer's music for a long time now, and even invited him to join me on my song Rain Rain (You Can Stay) on my latest album Climb That Tree. Now Brady and myself have put together a brand new musical show for families called 'Songs Across The Pond'. 

Brady is flying out specially for a tour of the UK this October, and we would love you to join us on the road! 



As well as playing some of our own favourite songs, we'll also be sharing some brand new song we've written together specially for the tour! You can here a sneak preview below:

I just know you're going to love Brady's music! You can here his stuff on Spotify and on iTunes and make sure you check out some of the great videos on his Youtube channel


We really hope you'll join us on this exciting new family music adventure! 

A Magical Musical Tree...

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Around two years ago I decided that the title of my new album was going to be Climb That Tree. I was getting more and more theatre bookings and decided that when I toured the album I wanted the show to be a touch more theatrical.  However I was also very keen to avoid the music getting lost amongst props, stage sets, lighting cues and dodgy scripted dialogue. I firmly believe in the mantra of stick to what you know. I’m not an actor, and at this point had very little knowledge of children’s theatre.

So, how could I make a family gig more visually appealing and theatrical whilst ensuring that music and song still remained the focus? The solution I came up with was a set piece which could add a framework and structure to the songs being performed. I decided that the best option would be a tree. After all, the album was called Climb That Tree and a tree is also something that’s familiar and friendly to almost all children. I decided that this tree would absorb objects related to the songs I would play and, when the time came to play the song, a flower on the tree would open to reveal the object.

The next step was to find someone to make this tree for me. After speaking to lots of friends and colleagues, someone recommended that I get in touch with Vortex Creates, a theatre design company based in Coventry.

We talked a lot about what the tree might look like, and I sent them over a Pinterest board that I had put together when I first came up with the idea of the tree. I also sent them the album artwork created by the lovely Pippa Curnick, as I was really keen that the tree look similar to the tree featured on the album cover. We all agreed that the tree would need to be taller than me (I’m 6″5) so as to look impressive on stage. We also decided that the flowers show be really bright and colourful to fit the feel of the show and music. They thought that the best way to have the flowers open would be to use electromagnets triggered by a series of foot switches which I would control.

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Nicola and Marianne went away and started work, and after a week or so I received a concept drawing from them. It looked amazing and I very quickly sent them an email to say that I was really happy for them to start work on building the tree. Around three weeks later, I got another saying that the tree was ready to collect. To say I was excited would be something of an understatement. It was a very special moment when I arrived at their workshop and finally saw this thing that I’d been holding in my head for the past two years. It was HUGE and it was also beautiful, just the right balance of magic, welcome and intrigue.

Since that day my beautiful, magical, musical tree has appeared all over the country in countless theatres and art centres. As a concept it’s given my show a real structure and I will never get tired of hearing children and families gasp with delight every time a flower magically opens to reveal a song within.


Climb That Tree was made possible thanks to generous funding from Arts Council England.

With special thanks to Nicola and Marianne at Vortex Creates.

Behind the song: The Cat Came Too

Quite a common question people ask me is where do I get the ideas for my songs. 
So I thought I'd try and shed a little light on what is probably my favourite song from my latest album Climb That Tree

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The song is called The Cat Came Too, and is essentially about a cat and a dog who are best friends and go everywhere together. They were based on my Mum and Dad's pets they had when they first met. The Cat was called William, named after Prince William, as the day my Mum got him was the same day Prince William was born. The dog was called Toby, which was short for his kennel club name 'Tobias Cinamon'. Together they were usually known as 'Toby and Wills'. 

I was only one when Toby died, and I was eight when William died, so sadly I have no memory of the former and very little of the latter. However I grew up hearing stories about Toby and Wills and how when they took Toby for a walk, William would follow, often for long distances along the canal path in Shelton Lock in Derby where they lived. They also used to share baskets together and get up to all sorts of mischief. As far as a cat and a dog could be best friends, they were. 


One day I was I was wandering round Sainsbury's doing the shopping, and a tune popped into my head. I still have no idea why, but for some reason the words that best fitted that tune were:

"We've got a dog named Toby, his best friends our Cat called Will."

I thought it would be fun to write a song about these two animals that clearly held such a special place in both my parents hearts. It took a long time to finish the song and to work the lyrics into a coherent story. Quite often the songs I write are snap shots - they sum up a moment or a feeling. But with this song I knew I wanted to tell a proper story. 


When it came to recording the song, I knew from the start that I didn't want to use a proper posh grand piano all perfectly tuned and fancy. Instead I used a slightly old and battered upright piano that was sitting in the studio. It had that wonderful warm tone, or full of imperfections and character. 

When I listen to the song, I like to think of my Mum and Dad with Toby and Wills starting their lives together and all the adventures they had.

You can listen to the song in full here:

10 songs that should've been written for children - 'secret family music'

Sometimes when I'm listening to the radio, I hear a song which, although written for 'adults', sounds like it could have been recorded by some of my favourite artists making music for families today. So here's a rundown of some of what I like to call 'secret family music'. 

1. REM - Shiny Happy People

Whilst REM are arguably more known for their more serious output (Everybody Hurts, Losing My Religion) - I challenge anyone not to feel uplifted after hearing this song. It's the perfect tune for dancing round the living room. If it still doesn't put a smile on your face, try the Sesame Street version - 'Shiny Happy Monsters'.


2. Andrew Gold - Thank You For Being A Friend

This is a great song for teaching children what it means to have a friend, without ever feeling preachy or, for that matter, too saccharine. It's also got such a nice groove to it. Apparently a cover version by Cynthia Fee was used as theme to the TV series The Golden Girls which is not a series I'm familiar with, but the original by Andrew Gold is definitely my favourite version.


3. The Rumble Strips - Motorcycle

Perhaps a slightly obscure one, but I can't get enough of this song. What kid hasn't ever ridden their bike and dreamt that it was a motorbike roaring down the street. Some of us may have even take if that bit further and put an old tin can against the tyre so it made that authentic motorbike engine noise. The Rumble Strips (R.I.P) capture the freedom of childhood and make-believe perfectly. 


4. Feist - 1,2,3,4

1, 2, 3, 4 tell me that you love me more, sings Feist, a.k.a Leslie Feist. I certainly love this song with it's steady swinging rhythm that builds so perfectly throughout the song, ending in a rousing swell of brass and strings. Be prepared to have it stuck in your head for days. 

5. David Bowie - Starman

Most children at some point have dreamed of blasting off into space. Bowie's Starman - the precursor to his Ziggy Stardust persona - perfectly captures the otherworldliness that makes the idea of space travel so appealing. Also that guitar riff from Mick Ronson is dreamy.


6. Sweet Baboo - Walking In The Rain

Another earworm and a rather lovely one at that. There's such a simplicity to this song that makes it almost impossible not to fall in love with. Be sure you watch the video, which is equally charming. 


7. The White Stripes - We're Going To Be Friends

A lovely nostalgic song about the first days at school, and a surprisingly mellow offering from the brilliant White Stripes. 


8. Noelie McDonnell - Nearly Four

Irish singer songwriter Noelie McDonnell wrote this beautiful song for his nephew and again it's its simplicity that makes it so appealing. My favourite line is definitely - "I like to take a pee all on my own" - something which I still do to this very day.  


9. Stornoway - Zorbing

A song inspired by Zorbing - which is essentially rolling down a hill in a giant inflatable ball. If you can think of a better way to get in touch with your inner-child I'd like to hear it. There's only one word to describe this song and that's 'soaring'. Be prepared to hit repeat. 


10. Jools Holland ft. Suggs - Jack O' The Green

Between Squeeze and Madness, there were plenty of songs that could have ended up on this list, but it's a collaboration from the two bands most famous members that I've decided to include. There's something wonderfully eccentric and infectious about this upbeat ska tune celebrating the coming of summer, complete with an English country dancing motif, brass bands and maniacal laughter.


So there we have it! Obviously there's no end of brilliant songs that could have made it onto this list, but I wanted to share a few of my favourites with you. Let me know what you love listening to with your little ones via the comments section below!

Climb That Tree music video shoot

So a few months ago I was chatting my with my good friend Andrew Walmsley, wildlife photographer and film maker, tree climber and tallest man in Oxford, about music videos. I remarked casually that it would be great if we could wheel a piano up a hill and put it by a tree for a nice 'outdoorsy' music shoot. Andrew replied, equally casually, that if I wanted we could even put a piano up a tree...

At first I thought he was joking - anyone who's ever had to move a piano will know that they are HEAVY - half a ton kind of heavy. This is because of the frames inside the piano, which are usually either iron or steel. Andrew informed me that he's previously put a 4-seater Chesterfield sofa up a tree at a music festival for a musician to perform from. As you do. He thought that a piano, whilst perhaps a bit tricker, would be achievable.

So when it became clear that Andrew was serious, I decided that this was an opportunity that was too good to pass up and we started to plan. The first thing to do was to get a piano - ideally one that was on the lighter side. I was aware that you can get what's often referred to as a 'mini piano' - a very small piano, originally designed to fit in small houses in Edwardian times when a piano was very much a thing to have in in your parlour. They're much lighter and shorter than normal pianos as they tend to be missing an octave. I started hunting for one on Ebay and, as luck would have it, found a lovely little one about half an hour away (made by Collard and Collard), which was going for a 'buy it now' price of 0.99p. Bargain!

So, with piano purchased and Andrew and his team of tree climbers having built a platform for the piano to sit on in the tree and a worked out a complicated system of ropes, pulleys and general hoisting sophistication, the day of filming had arrived.   

We started on Friday night, giving Andrew a chance to test the rigging system in his back garden and also check the platform that the platform was going to be big enough for the piano. As you might notice from the picture below, all of this was done in the dark, making head torches a necessity!

The next morning we set off about 8am. Andrew had very wisely borrowed a very hefty trolley from a friend which, with much difficulty we eventually got the piano and all of the climbing and rigging gear onto. We were going to be using a beech tree (nicknamed 'Beechy') in Shotover Woods that Andrew had climbed several times before. He had removed all the deadwood, and assured me that it was perfectly safe - or at least as safe as putting a piano up a tree can possibly be. 

After a tricky journey with the trolley to the site of the tree, Andrew and his team set to work. Their plan was to set up the wooden platform in the tree, which the piano would then be hoisted onto and secured. When he showed me the branch that they were going to be using, the reality of what we were doing did start to hit home a little. It was ten metres up, and it was a very windy day. I've never been that bothered about heights but I was aware that what we were doing could, in theory, be very dangerous if something went wrong. 

However I needn't have worried - Andrew was very safety conscious, making sure that everyone was wearing helmets at all times, and clearing an exclusion zone to ensure that no interested members of the public might wander over and put themselves at risk. In Andrew's own words, "the worst that can happen if that piano comes down, is that it makes a bloody big hole in the ground".

In turns out that it takes about 4 hours to put a piano in a tree. Who knew? I'll be honest with you, I didn't really know what was going on at this point and got very cold and bored, but tried hard not to show it as I could see that for Andrew and his team it was a skilled and difficult job. Here's lots of pictures I took to keep busy:  

After lots of hoisting, securing, tightening and testing, the piano was finally up, and the time had come for me to go and play it. They had rigged a kind of seat out of my old suitcase for me to sit on and the idea was that I would wear two harnesses; one underneath my dungarees and one over the top. I would then climb up to the piano, remove the outside harness and transfer the rope to the one underneath. In theory, aside from the single safety line, it would look as though I'd just casually shinnied up the tree and started tinkling the ivories.

Climbing up was hard work. Unlike rock climbing, you don't climb from foothold to hand hold, but rather hoist yourself up on the rope whilst you dangle merrily in mid air. It's all about upper body strength, which is not something I've got much of. 

Ten metres might not sound like a lot, but when you're up there it feels HIGH. Also the act of taking your harness off (even when you know you have another one underneath your trousers) feels just plain wrong. Like jumping off a cliff with only a wingsuit. 

I'd been so focused on getting up there that I hadn't really thought about how I would actually have to play the piano and sing along to the track whilst ten metres up on a very windy day. 

Andrew and his friend Luca were both filming on ropes of their own and got to work as soon as the piano was up to try and limit the time we all had to spend up the tree getting cold. One thing I hadn't considered is that when you're high up on ropes there's nowhere to put anything. Simple things, like where to put your phone, your coat or a spare battery for the camera, suddenly became a lot more complicated. 

In total we spent about an hour up there doing different takes from every angle we could think of. We were very aware of the fact that this was a one time chance - we weren't going to be putting a piano up a tree again anytime soon!

Coming down was very surreal, like stepping on to land after a week at sea. I've never been so glad to be on the ground! It was quite sad to see the piano coming down - we did talk about leaving it there for the fun of it, but there was too much of a chance that it might come down on some poor unexpecting dog walker on a windy day. 

So there we have it. A thoroughly exhausting, exciting, weird, wonderful, cold, and occasionally boring, day. The video is now edited and will be up soon so do keep a look out. 

Huuuuuuge thanks to Andrew and his team for pulling of the unnecessary and ridiculous feat of putting a piano up a tree. 

The man himself. 

The man himself.